Susan Sarandon

Susan Sarandon
Birthday: 4/10/1946, the
Birthplace: New York, United States
Citizenship: US
Height: 170 cm
Weight: 54 kg

Decency – is not the main virtue of the heroines Sarandon. They are kind, honest, open, impulsive, but not decorum. “For a long time the name” Sarandon “has become synonymous in the public eye concepts such as sex, extravagance, frivolity, daring whim,” – says the magazine “American Film”. This helps a lot and actress’s personal life, marked by countless romance novels.

Susan Sarandon (Sarandon, Susan). Real name: Tomeling. Born on 04.10.1946 in a large Catholic family with 9 children, in the town of Edison (pcs. New York).
Catholic University of Washington student accidentally hit on the sample to the film “Joe” (1970) and won the role of a young drug addict who ran out of the house and died together with his friends from the hippie hands of his father and his friend.
The film was a resounding success, Susan decided to become an actress.
Contrary to common practice, she did not go to drama school, but prefer to learn on the set. However, its capabilities are very limited, because for the most part she had to portray the naive, almost absurd awkward ingenue with angular figure (“The Front Page,” 1974; “We love Molly,” 1975; “Dragonfly”, 1975; “The Great Waldo Pepper” 1975; “Most police raid on the road”, 1976; “The Other Side of Midnight”, 1977). And only in the film “Atlantic City”, the eighteenth in a row in her creative biography, she appeared as an interesting, attractive actress.
A thin, tall, lush fiery hair and soulful eyes anxious naive wide-open eyes, Susan Sarandon little consistent with American ideals of feminine beauty, and constant cigarette in his hand and a fair dose of alcohol consumed by her character, do not let it be suspected supporter of a healthy lifestyle. Working with her directors argue that its intuitive approach to the role it is close to European actors, and its best work appeared in collaboration with foreign filmmakers – Frenchman Louis Malem (“Adorable Baby”, 1978; “Atlantic City”, 1980), the Englishman Tony Scott (“The Hunger”, 1983), Australian George Miller (“The Witches of Eastwick,” 1987), the Englishman Ridley Scott (“Thelma and Louise”, 1991).
The sensation was the appearance of the actress in “vampire” film “Hunger”, where she met with Catherine Deneuve and formed a remarkable duo. And the coldness of French star profitable stressed the warmth, softness, sensitivity, spontaneity and receptivity of the American singer. “Hunger” finally cemented his reputation Sarandon frivolous, bold star. So when the Australian director George Miller began filming the movie “The Witches of Eastwick”, he did not exist doubt that one of the witches to play Sarandon. It showed in the film as humor, elegance and grace that easily eclipsed starred with her Cher and Pfeiffer and prove themselves worthy partner incomparable devil-Nicholson.
A notable phenomenon in the creative biography of the actress became the film “Thelma and Louise.” The image of a waitress Louise brings to mind another heroine Sarandon – Sally Matthews of “Atlantic City.” The past ten years have hardened her heart, completely upset nerves. Seeing as casual acquaintance rapes her friend Thelma, she kills the villain. Normal life comes to an end, and – a crime following the crime. Ultimately, girlfriend prefer to kill myself, but not fall into the hands of the police. Susan Sarandon creates an image of an independent, intelligent, courageous, absolutely uncompromising woman prefers death to dull stagnation. Implicitly, this motif was present in many works of the actress, but he found an open form only in the movie “Thelma and Louise.”
European filmmakers have helped Susan Sarandon find your style and image display. Curiously, the fellow actress approached him with caution and tried to bring it into the mainstream of the usual canons. Hapless television announcer whose boyfriend leaves her for another woman (“Love couples”, 1980). Stenographer, alone PLAYBACK Tyva son and dreaming to get rid of the guardianship of the mother (“system of friends”, 1984). Drunken waitress from roadside eatery (“White Palace”, 1990). None of the actress did not have so much to fulfill the role of waiters. For American cinema is not just a profession. This – the social status of a single woman with no prospects. Particularly eloquent fate Nora Baker, the heroine of the film “White Palace”. Her husband disappeared in an unknown direction, seventeen-year son died from drugs and alcohol. The life of this forty-year “straw widow” is held among the treasury of comfort furnished rooms. Drunk Nora hangs on a young man, all the forces trying to tie him to her. Decency – is not the main virtue of the heroines Sarandon. They are kind, honest, open, impulsive, but not decorum. “For a long time the name” Sarandon “has become synonymous in the public eye concepts such as sex, extravagance, frivolity, daring whim,” – says the magazine “American Film”. This helps a lot and actress’s personal life, marked by countless romance novels. Directed by Paul Mazursky admitted that this circumstance prompted him to remove Susan as Aretha in the movie “The Tempest” (1982). “Aretha – liberated woman. She gives her key to anyone who so desires, and this is very similar to Susan. After all, it is enough to look at someone immediately to have an affair.”
With their two children, Susan Sarandon lives in Greenwich Village, giving a lot of time “green movement.”

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