Kathleen Turner

Kathleen Turner
Birthday: 19/06/1954 Year
Birthplace: Springfield, Montana, USA
Nationality: United States

However, the novel and the identity of the actress and her appearance. The aggressive nature of eroticism Turner – organic continuation of its appearance. She is not a woman “whose growth is flattering to men.” Very tall, athletic, leggy, she seemed no different femininity …

 
 
TURNER, Kathleen (Turner, Kathleen). Born 19/06/1954 in Springfield (pcs. Montana). She graduated from the Central School of diction and Drama in London, she studied at the faculty of Dramatic Arts University of Missouri and Maryland.
Kathleen Turner literally burst onto the American movie screen 80, reanimate, on the one hand, the tradition of romantic komediantok “golden age of Hollywood” 30-40-ies, on the other – to restore the traditional type of mercenary duplicitous vamp, and a third, being established in as a new sex symbol, taking the long-vacant position of Marilyn Monroe.
Rebellion, disobedience, determination, adventurism – these are the qualities inherited from her parents. Childhood and teenage years she spent in different countries, where her father worked as a diplomat. Then, after graduating from the University outplayed in the experimental Teatrika everything from Chekhov to Albee, moved to New York, working as a waitress, took part in off-Broadway productions, theaters, then – television advertising, a series of soap opera “Doctor.” And – cinema. Path – a typical unbelievably.
However, the novel and the identity of the actress and her appearance. The aggressive nature of eroticism Turner – organic continuation of its appearance. She is not a woman “whose growth is flattering to men.” Very tall, athletic, leggy, she seemed no different femininity. Sly gray eyes – yes. Snub nose – yes. Mane of golden hair – yes. From her appearance breathes Nordic chill, the effect of this charming little smooth dimples that appear when you smile. The actress abused facial expressions, her game sometimes borders on clowning, but faces – and they have it about five or six for all occasions – ive actually extremely transform the face. But mimicry often outside does not entail the inner transformation.
Describe the role of Turner – just an empty exercise, and because of the situation and the manner similar. Often it offends or deceives men, but – with an ax to grind, strumming so that the viewer never for a moment doubted its double game. In this woman – and causing the victim’s emancipation – there is eternal contempt for men. Everyone, it does not belong to any one till the end – forever elusive, changeable, use them. Always independent, “how dare they think that their only reward automatically for attention? Remember, girls, we always have the right to say” no. “We owe nothing to anyone, no love, no sex …”
If the 60-70s thoughts rushed to the high-field weak, insecure, feminine Marilyn Monroe in the 80s here this is strong; athletic, powerful woman has become their idol causing strange mixture of anger and lust.
And doing it all in a cast, representing almost a benefit: the author adventurous: novels, was in the fictional conventions it is adventure (“Romancing the Stone”, 1984; “The Treasure of the Nile”, 1985); prostitute, turning into a respected designer in the afternoon (“crime of passion”, 1984); femme fatale, mercenary killer (“Body Heat”, 1981) and ubiytsa- pros (“Prizzi’s Honor”, 1985); TV journalist, was at the center of a love triangle, political passions and detective investigation (“Changing Channels”, 1988). Even in the image of the mother of the family and the housewife with her unusual things happen: it moved to its own past (“Peggy Sue Got Married”, 1988), it enters into a deadly battle with her husband (“War of the Roses”, 1989).
The latter film, staged on the novel, it was said that his script written by someone who knew Turner, as a psychoanalyst of his client. But although unbridled character actress described accurately, own her marriage to distributors D. Weiss is considered safe. They have a daughter, the birth of which Turner had expected during dubbing a cartoon image of Jessica’s created in her own image, in the movie “Who Framed Roger Rabbit?” (1988) – something that explains the features of low and deep modulation erotic flexible voice actress, trained in the best school of diction in the world in London. In recent years, Turner stout and rarely withdrawn.

She graduated from the London Central School of diction and drama, studied philology at the University of Missouri and Maryland.

His acting career began in 1977 with the participation in the already popular television series “Doc” and “Saturday night live”.
She made her debut in the movie role in the erotic thriller British Filmmakers “Body Heat” (“Body heat”, 1981).
Breakthrough actress became a star of the first magnitude bright work in the adventure comedy “Romancing the Stone” (“Pomancing the stone”, 1984), where the actress shone alongside Michael Douglas and Danny de Witt.
Later Turner consolidate its success by varying the image of sport and domineering women in films that were offered.
Since 1999, the actress is removed from time to time, she lost her shape, stout.

AWARDS
The “Golden Globes”:
1984 – Best Actress, Comedy / Musical (“Romancing the Stone”)
1985 – Best Actress, Comedy / Musical (“Prizzi’s Honor”)

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